Art interpreted: Life in black and white
Each and every black and white photograph of Robert Doisneau displayed in the Dubois Gallery boasts astonishing cinematic sensibility. They…
Browsing: Column
The Best Four Years: Life is a La Croix
As the end of the year both welcomes us with open arms and looms over us with obligations, visions of…
The Best Four Years: The silent danger of the busy complex
In the eye of a hurricane, an eerie silence drowns out the violent storm that surrounds it. …
B&W advice responds to questions for the week of April 17
Summer is almost here and I still don’t have an internship. I’m a rising senior, so I feel like it…
White House of horrors: Strikeout
On Monday, April 8, the Trump Administration canceled a proposed deal between the United States’ Major League Baseball and the…
From David: “Rebel Rich” and me
The day I met “Rebel Rich” started off great, I woke up bright and early one Sunday morning and boarded…
White House of Horrors: Everything must go
This past Sunday, April 7, Homeland Security Secretary Kirstjen Nielsen resigned from President Donald Trump’s administration, leaving another vacancy in…
Art Interpreted: Let’s talk about size
In art, sizes do matter. It’s a given that the scale of an artwork can dictate the effect it has…
Beats Per Minute: “Hi This Is Flume” shows glimpse at future potential
“Hi This Is Flume” is the new mixtape from Australian electronic producer Flume. Eleven times iterated, and this column is…
From David: Black Magic
If you take the time to get to know the people of color at Lehigh, you’ll find some of the…